Blogger ఆధారితం.
Rentala Jayadeva లేబుల్‌తో ఉన్న పోస్ట్‌లను చూపుతోంది. అన్ని పోస్ట్‌లు చూపించు
Rentala Jayadeva లేబుల్‌తో ఉన్న పోస్ట్‌లను చూపుతోంది. అన్ని పోస్ట్‌లు చూపించు

గురువారం, అక్టోబర్ 18, 2018

'Hello Guru Prema Kosame' Review: Hello Guru... a time waste fare!

(Film: Hello Guru Prema Kosame; Starcast: Ram, Anupama Parameswaran, Prakash Raj, Aamani, Sithara, Praveen; Story, Screenplay and Dialogue: Prasanna Kumar Bezawada; Cinematography: Vijay K Chakravarthy; Music: Devisri Prasad, Presenter: ‘Dil’ Raju, Producers: Sirish - Laxman; Director: Trinadha Rao Nakkina; Release date: 2018 Oct 18; Duration: 2hrs 20 mts)

Dussehra is always a big festival for Telugu people, not only interms of Devi Puja, but also interms of number of new movie releases. This Dussehra season has three new releases, namely ‘Aravinda Sametha Veera Raghava’ and ‘Hello Guru Prema Kosame’ and ‘Pandem Kodi2’, the last one being a dubbed film from Tamil to Telugu. This festive season started with Jr NTR’s ‘Aravinda Sametha...’ on a high note. After a week, on exactly Vijaya Dasami day, hero Ram’s new film ‘Hello Guru Prema Kosame’ hit the silver screen along with Vishal’s ‘Pandem Kodi2’. Did 'Hello Guru...' gave the much needer breather to Hero Ram?

Story:
As the title suggests, ‘Hello Guru Prema Kosame’ is a family entertainer with a love story. Though the title looks fresh, the story line is neither new, nor fresh for regular movie goers. It is the story of a rural boy, who came to city for a job just to satisfy his father’s wish. 

Briefly the story goes like this... Sanju (hero Ram) came to city and stays at his mother’s childhood friend Viswanath’s (Prakashraj) house. Viswanath is a man of character, who keep up his promise come what may. Hero will fell in love with Viswanath’s daughter Anupama (Anupama Parameswaran). But before the hero expresses his love towards her, her father promises to marry her to another young man (Noel). Heroine father feels that his selection is the best choice for his daughter. But soon he comes to know about hero’s love towards her daughter. But that is too late. But still hero, who is in heroine’s house itself tries his luck to win over the hearts of heroine and her father (If it sounds very simillar to many of your earlier watches on silver screen, don’t curse your memory).  How it all came to a filmy end of hero, heroine’s marriage is the rest of the story. 

Performances:
Ram looks stylish and tries his best to carry the role as well as the film on his shoulders. His dancing abilities were also used in one or two numbers too. But, as the main plot is a routine one and with an unsuccessful attempt of fresh treatment, all the efforts go invain. Anupama Parameswaran’s character as an obedient daughter of a father looks good on paper. She looks ok too, with an inconsistant and not so good own dubbing voice of Telugu. Prakash Raj who is known for his famous ‘Bommarillu’ type father roles once again casted in a simillar role. But it was given more humane and friendly angle. He tries his best to fit the bill with his vast experience of essaying simillar roles. But after some time, it becomes redundant. Mannerism of Aamani talking incorrect English gives a bit of comic relief.

Devisri Prasad’s music is a plus point. First song which says the World’s best place is Native place is bit thoughtful too. But the rerecording and sometimes the mixing too dominated. Especially in the key scene between Ram and Prakash Raj at climax, the dialogues of hero lack clarity and even not audiable too. Prasanna Kumar Bezawada, who is known for his dialogue writing ability in his previous outings, shows his spark occassionally. But as the over all story has many simillarities right from ‘Hum Aapke Hain Koun’, ‘Dilwale Dulhaniya le jayenge’ to ‘Nuvvu Naaku Nacchavu’, etc. and as the screenplay lacks interest, it is very difficult for audience to sit through the film till the end, without yawning. 

Though the first half of the film is ok and bearable, the second half lets down the hopes. The transformation of heroine’s character looks a sudden jerk. As she pleads hero for elopment and marriage is unconvincing and abrupt too as per her character’s graph written and shown in the film. Even the climax scene is too forced and looks unlikely in the natural progression of the story. Though the duration of film is much below the usual two and half hour Telugu film dramas, this film gives the feeling of a lengthy one as the story drags.

Overall, this Vijaya Dasami release 'Hello Guru... Prema Kosame' lacks the finer ability to please audience and fails to give a much needed big succes to hero Ram.

- by  Rentala Jayadeva
............................


సోమవారం, అక్టోబర్ 12, 2015

Why Indra The Tiger is a permanent fixture on Indian television

  • Saudamini Jain, Hindustan Times
  •  |  
  • Updated: Mar 07, 2015 18:08 IST

http://www.hindustantimes.com/Images/popup/2015/3/0803brpg6a.jpg



The film opens with death and unrest. A village in Andhra Pradesh is caught in turmoil caused by its two feuding families. They decide to end war with a wedding.



A red wedding: the bride poisons the groom on their first night together; her father murders all the men in his family. Indrasen must take over as head of this unfortunate family: the young schoolboy with a fierce temper is now the village headman.



How many times have you watched Indra The Tiger? For a decade now, the Telugu blockbuster Indra dubbed in Hindi as Indra The Tiger seems to have become a permanent fixture on TV. 



It was, we always assumed, a blip. Some sadist schedulers playing a joke on national audiences. Because Indra seemed to be on TV on some channel or the other at any given point in time. Saturday night, Sunday afternoon, you name it, there it was: a Telugu action film we never watched. 



So here’s something you may not know: when it was released in 2002, Indra the Tiger grossed more on the box office than any Telegu film before it. "It was about Rs 40-45 crore, almost twice as much as any other hit film usually made," says C Ashwini Dutt, the film’s producer. In the same year in Bollywood, Devdas, the top grosser, made just Rs 34 crore (though figures vary between Rs 24 crore and Rs 34 crore) in comparison. 



In Telugu cinema, it resurrected actor Chiranjeevi, whose career had started to wobble by the late 1990s. "He had quite a bit of competition from Junior NTR, the grandson of great NTR," says film journalist Rentala Jayadeva, referring to Telugu cinema legend and former chief minister of Andhra Pradesh, NT Rama Rao and his grandson. 



"Factionism is a hit formula in Telugu cinema, particularly with Rayalseema as a backdrop. And Chiranjeevi attempted this formula to catapult his career," he says. 



"Rayalseema is an arid area, with high water scarcity. The plot revolved around people praying for more water. And here is Chiranjeevi, for the first time enacting the leader of a faction. He’s all for people and against bloodshed. The film was bound to be a hit."



It has all the masala: the hero with superhero abilities, a cause, lots of action, many, many songs, and a Bollywood actress (Sonali Bendre) for glamour. And it is partly set in Varanasi. 



http://www.hindustantimes.com/Images/popup/2015/3/0803brpg8b.jpg

Ladies’ man: Chiranjeevi with Aarthi Agarwal in Indra


It is, if you set your pretentions aside, a rather enjoyable film. And if you don’t, the dubbed version has gems such as these: (the other female lead, Aarthi Agarwal, to Chiranjeevi):

Tumhaari nazrein mujhe bohot pasand aayien.

Greek shilp mein jaise banaaya ye figure pasand aaya.

Teri chaal mein ek style hai.

Aur kya boloon?

Totally teri body mein jo kuch hai, sab mujhe pasand aaya.


"When I was heading Sahara One (in 2010-11)," says TV and film writer Mushtaq Sheikh, "we had these perpetual, evergreen films: whenever you needed ratings, you could close your eyes and screen them. Indra was one of them."



Other films give channels high ratings too: the YRF films, the Karan Johar films, the SRK films. But if you watch a film repeatedly, you will know its scenes by heart. 



So, "the time spent by the audience on these movies is diminishing over the years," says Sheikh. "But this logic escapes Indra. This movie is so engaging and so bizarre… it still gives you numbers. How can something break all rules? Movie making is uncertain, but Indra The Tiger is not. It is the answer to everything." The beginning
For years, south Indian movies (mostly Tamil hits) dubbed in Hindi had been successful in theatres. Roja (1992) and Bombay (1995) did very well at the box office. 



"But this hadn’t been attempted on TV. We started the trend," says Udayan Shukla, the programming head at Sony Max. "These films work with all kinds of audiences. [National] audiences relate to them – we’ve had a history of south Indian producers making blockbuster Hindi hits in the ’80s: Himmatwala, Sooryavansham…" 



Sooryavansham is the Amitabh Bachchan film that could give stiff competition to Indra for being aired the most. The other is Nayak, the one where Anil Kapoor plays an aam addmi chief minister. It was a bizarre film, more so since it came a decade before Arvind Kejriwal appeared on the scene to play it out in real life. 



http://www.hindustantimes.com/Images/popup/2015/3/0803brpg8c.jpg

On loop: Sooryavansham is the Amitabh Bachchan film that could give stiff competition to Indra for being aired the most. The other is Nayak, where Anil Kapoor plays an aam addmi chief minister 

“We have a large library – of 1,500 films, but only 250-400 films resonate with the audiences,” says Shukla. This arrangement worked out fine when there were three Hindi movie channels, but now there are about a dozen and all play the same films.

It would still work out if you weren’t subjected to them on Saturday evenings when you have absolutely no plans, but, says Mushtaq Sheikh, the best films are reserved for, say, January 26 and Diwali and Holi... you still have a lot of primetime slots to fill. And to push numbers, “you have to show the films that you know will do well,” he says.

We’re surpised when the film is not playing on television.

The strange thing is that both Set Max and Star Gold claimed to have not shown the film since 2011. Yet, we remember watching it after 2011 on the two channels – in the last year too. Twitter is full of jokes about the film being every movie channel’s favourite film, because “Indra the Tiger is no longer a movie. It’s a channel.”

Now though, you will find it playing on Sahara One and Filmy: both, however, declined to comment on the film.
A remake?This makes one wonder why the film hasn’t been remade in Hindi. In 2012, there were rumours that Sanjay Leela Bhansali had acquired the rights and was going to make it with Akshay Kumar in the lead. But as it turns out, Bhansali and Kumar were actually working on the remake of the Tamil film Ramana, to be released this year.

Ashwini Dutt, Indra’s producer (he also produced Jaani Dost, the hit 1980s film starring Dharmendra, Jeetendra, Parveen Babi and Sridevi) has been constantly trying to make it in Hindi. “I offered Prabhudeva the direction also,” he says.

“I keep telling dad, it’s high time we made it in Hindi,” says Dutt’s daughter, Swapna. “There have been a lot of calls from Bollywood, but each person wants to make the film on their own, whereas we want to co-produce it. So that’s where it’s got stuck,” she says. “And we need a big hero. I want Salman Khan!”

Is Salman listening?

Follow @SaudaminiJain on twitter

From HT Brunch, March 8
Follow us on twitter.com/HTBrunch
Connect with us on facebook.com/hindustantimesbrunch

http://www.hindustantimes.com/brunch/why-indra-the-tiger-is-a-permanent-fixture-on-indian-television/story-ofjy0fOTqSMm7Bh8CClEGN.html

శుక్రవారం, ఫిబ్రవరి 08, 2013

Telugu Cinema turns a grand 82!


The Telugu film industry turned 82 on this February 6th, Wednesday. The day commemorates the release of first rull length Telugu feature film ‘Bhakta Prahlada’. Ending years of quandary over the release date of first Telugu talkie feature film ‘Bhakta Prahlada’, noted film journalist, researcher and Nandi award winning critic Rentala Jayadeva has proved the exact date by providing appropriate evidences.



Earlier, September 15, 1931, was considered as the release date of the film by many that was later disproved by Jayadeva making it a way for the fact that it was released on February 6, 1932. Directed by doyen HM Reddy, the movie was made in 18 days with a budget of Rs 18,000 and it was censored on January 22, 1932, in Mumbai (then Bombay) which released on February 6 in Krishna Theatre in Bombay. 

The film was moved to Sri Maruti theatre in Vijayawada and Sri Krishna theatre in Rajahmundry after having two-week successful run in Bombay. 

Starring Krishna Rao, Munipalle Subbaiah, Surabhi Kamala Bai and Sindhoori Krishna Rao in significant roles, veteran director-producer LV Prasad was seen as a dimwit in the film. The movie was later released in Madras on April 2, 1932, and received well by audiences.

(This article was Published in 'The Hans India' English daily, dated 7th February 2013, Thursday, Page No. 10)